FICTION
“Olive” Necessary Fiction, 2019
“Griddlecakes or The Word Above Grief” Platypus Press Shorts Series, 2019
“Toy Wonderland” PRISM International, 2019 The Jacob Zilber Prize for Short Fiction 2nd Runner-Up
“When The Train Lurched” Jellyfish Review, 2019
"Explain It To Me" Carve Magazine, 2018 The Raymond Carver Short Story Contest Second Place Winner, Narrative Magazine 30 Below Finalist and Pushcart Prize Nominee
"The Performance" TriQuarterly, 2018
"I'm Not Here" Cosmonauts Avenue, 2017
"What I Mean When I Say: More" (b)OINK zine, 2017
"Bedroom Talk" Joyland Magazine, 2017
"Wacky Water World" Enizagam, 2017
"They Tell Me I'm Lucky" Tin House, 2017
"For After" Washington Square Review, 2016
"There Is No Paris" The Grief Diaries, 2015
"While Supplies Last" Bluestockings Magazine, 2015
NON-FICTION
“Their Daughters Were Having Cats Instead of Children” Guernica, 2019
“Re-Authoring A Life In Reema Zaman’s I Am Yours” Chicago Review of Books, 2019
“Letter To The Editor” The New York Times, 2019
“Naked in Japan” The Rumpus, 2018 Editors’ Pick on Longreads
"We Are The Ones" The Tenderness Project, 2018
"The Strange and The Divine: On Rita Bullwinkel's Debut Collection Belly Up" The Millions, 2018
"A Lucky Man by Jamel Brinkley" The Masters Review, 2018
"Hybrid (kitchen/language/literature) spaces: a conversation with Matthew Baker" [PANK] Magazine, 2018
"In Our House, We Speak in Hybrid Tongues" Guernica Magazine, 2018
"On Plagiarism & Intertextuality" Roundtable Discussion, Teachers & Writers Magazine, 2017
"Looking Back on 2017: Literature" BOMB Magazine, 2017
"The Tangled World of Bodies" Guernica Magazine, 2017
"Hunger for Wholeness" BOMB Magazine, 2017
"Written in Chalk: What It Means To Be Crazy" The Rumpus, 2017
"Childhood Diaries (Age 12)" Early Work, 2017
"What I'll Tell My Children: On Being 'F***able' Under The Regime of President-Elect" The Rumpus, 2016
"The Bricks That Built The Houses by Kate Tempest" KGB BAR LIT, 2016
"The Loss of All Lost Things by Amina Gautier" KGB BAR LIT, 2016
"A Meet, but Not Cute" The New York Times (City Room Blog), 2016
"Upright Beasts by Lincoln Michel" KGB BAR LIT, 2015
TRANSLATION
"Neither Madame, Nor Mademoiselle" Selection 7 (origin. Elise Galmard) The Brooklyn Rail, 2017
"Neither Madame, Nor Mademoiselle" Selections 1-6 (origin. Elise Galmard) The Offing, 2017
POETRY
"Waiting" Bodega, 2016
FILM
"Isn’t It Pretty To Think So" Cannes International Film Festival, Short Film Corner, 2013
NOTABLE
The Berlin Writing Prize, Long-list, 2019
CRAFT Short Fiction Prize, Short-list, 2019
Glimmer Train Very Short Fiction Contest, Finalist, 2019
The Jacob Zilber Prize for Short Fiction, Second Runner-Up, 2019
Pushcart Prize, Nominee, 2019
Glimmer Train Very Short Fiction Contest, Finalist, 2018
The 2018 Raymond Carver Short Story Contest, Second Place, 2018
American Short(er) Fiction Prize, Finalist, 2018
Glimmer Train Short Story Award For New Writers, Finalist, 2018
The New York Public Library, Researcher in Residence, 2018
Glimmer Train Fiction Open Contest, Finalist, 2017
The MacDowell Colony, The 2017 Nadya Aisenberg Fellow, Fellowship, 2017
The New York Public Library, Researcher in Residence, 2017
The Lighthouse Works’ Fellowship, Finalist, 2017
The PEN/Robert J. Dau Short Story Prize for Emerging Writers, Nominee, 2017
Narrative Magazine 30 Below Contest, Finalist, 2016
Glimmer Train Very Short Fiction Contest, Finalist, 2016
Bread Loaf Writers' Conference, Fiction Contributor, 2016
The Ucross Foundation, Fellowship, 2016
The Vermont Studio Center, Artist Grant, 2016
Columbia University, Translation Grant, 2016
The Norman Mailer Center, Fiction Fellow, 2016